Episode 20
Web3 Integration and Creator Economy Revolution: Omer Luzzatti on Gigaverse's Blockchain Vision (Part 2)
In this episode, Dr. Jemma Green continues her conversation with Omer Luzzatti exploring how Gigaverse's Web3 integration could revolutionize creator economies through blockchain technology.
Episode Highlights:
- Omer explains how Gigaverse is implementing token economies and monetization for creators
- Discussion of Gigaverse's partnership with Music City San Francisco for reality show-style content
- How Gigaverse's approach to content moderation adapts to different community standards
- The challenges of quality content discovery and Gigaverse's unique engagement-focused solution
- Overview of Gigaverse's current features including polls, fact-checking, and AI-powered tools
- Future plans for monetization and community building features
- Discussion on the challenges of podcast monetization and how Gigaverse addresses them
- Using AI to resurface valuable content from podcast archives
Discover how Gigaverse's platform enables creators to:
- Build sustainable revenue streams beyond traditional advertising models
- Create token-based reward systems that incentivize quality community participation
- Leverage AI for real-time fact-checking and content moderation
- Develop secondary markets that amplify creative value
Get in touch:
Omer Luzzatti on LinkedIn
UnBlock'd podcast with Dr. Jemma Green
For more information on Dr. Jemma Green
Visit: https://www.powerledger.io/
Or connect on LinkedIn: https://www.linkedin.com/in/jemmagreen/
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Produced by: Podcasts Done For You
Transcript
Web3 Integration and the Creator Economy Revolution.
2
:Oma LA on Giga versus
Blockchain Vision part two.
3
:In this episode, Dr.
4
:Gemma Green continues her conversation
with Oma Lati exploring how Giga
5
:versus Web3 integration could
revolutionize creator economies
6
:through blockchain technology, they
dive deeper into why community token
7
:economies are essential for the
future of creator audience engagement.
8
:How secondary markets could amplify
creative value beyond traditional
9
:platforms and giga versus innovative
approach to content moderation that
10
:adapts to different community standards,
along with their exciting partnerships,
11
:including Music City San Francisco, for
their reality show style integration,
12
:and major music podcast networks.
13
:They discuss how they're solving
real world challenges like
14
:quality content discovery and
community specific moderation.
15
:I'm your co-host Anthony Pearl,
and whether you're an investor or
16
:a startup looking for insights,
it's time to get unblocked
17
:as we get ready to pick
up the conversation.
18
:Here's a quick recap from last episode
19
:Jemma Green: communities that
you're targeting to use Gigawatt
20
:er in Web3 and Blockchain.
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:But my question related to that was
do you have any Web3 or blockchains
22
:elements to the Giga verse product?
23
:Are you talking about
tokens in the blockchain?
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:Sense of the word.
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:Omer Luzzatti: So we haven't
targeted crypto communities per se.
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:Now, when we are thinking about,
back to your questions about the
27
:Web3, the first thing that creators,
the one that we are working with
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:is asking us is ticketed events.
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:So basically, I want people come
to my podcast to pay $1, $2, $10.
30
:But the way that we are thinking about it
in terms of the engagement, in terms of.
31
:Monetizing within the community
is these elements of points,
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:rewards and things like that.
33
:That's one of the thoughts of
that we have, obviously for crypto
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:communities, it's pretty obvious for
creators and other type of communities.
35
:This is a little bit more challenging
now to think that forward ahead.
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:Anthony Perl: You know what's fascinating
about everything that you were just
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:saying is it kind of replicates what is
happening in the Freeto Air TV market.
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:If you look at, you know, a reality TV
program is a good example where there's.
39
:An element of quality content or debatable
equality, but content that's being
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:created and what actually happens after
that is there are often people that
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:are separate shows, which are talking
about the main show as well as podcasts
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:and other things that are happening.
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:So what you're essentially trying
to do is to replicate that, but in
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:this kind of an environment that
enables you to monetize that process
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:so that people will actually benefit.
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:From that ongoing discussion and
that's, is that kind of the way of also
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:making sure that you've got quality?
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:Because that was one of the things I
think that has gone wrong with a lot
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:of the other platforms is there's been
no way of really measuring quality.
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:There's been so much rubbish out
there that that's what just saturated
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:it and people just disappeared.
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:Omer Luzzatti: Yeah, so Abby just
mentioned me and said that I can
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:talk about Music City, San Francisco.
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:So Music City, San Francisco.
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:Is that exactly what they
wanna do with our platform?
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:It's basically a reality show.
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:What is Music City?
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:San Francisco is a new building
actually in San Francisco that is
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:the bottom three floors, podcast room
and the karaoke room and a big arena
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:and for events and for concerts.
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:And then they have a hotel on top.
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:It's basically to bring rock stars
back to the city and to create a place
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:for them to, for young bands to live.
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:So we are partnering and they want to
do a reality show exactly like that.
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:Showing, you know, the band and
then showing the room and then
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:showing the fans and then, okay,
so all that, that is part of it.
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:But you were catching the other point,
which is then to have the community.
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:Discussing it, leaving it, and
it's true for almost every content.
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:Netflix movies, from Netflix movies
to sports are obviously watching
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:together, sport events and then
talking about it within the fans.
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:So yes.
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:Now in terms of your second
comment about the quality.
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:I definitely want, and you know,
Abby knows it 'cause that's something
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:that I'm trying always to push for.
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:But then I'm aware that it's
also something that we need to
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:be aware not to push too far for,
is to have quality discussions.
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:Now, how can we, with AI create
quality discussions other than, you
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:know, adding information, et cetera.
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:And we can build a prototype for it.
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:We can call out when people are
making policies like Ed Homi, right?
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:Instead of talking about your
argument, I'm talking about you.
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:Instead of, I'm creating a
strong man argument, right?
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:I am inventing something that no one
actually said, and, and I'm attacking that
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:figure instead of talking to the point.
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:So all these things, so things that
would be AI that now is listening
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:and understands everything that we're
saying, we can analyze the discussion
87
:and move it maybe to a better place,
but I'm also aware that that focus
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:might be a little bit too narrow.
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:I'm aware that people sometimes
want to just talk, right?
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:Anthony Perl: Well, quality's a
big battle on any media platform.
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:And you look at Netflix, which gets
criticized for ending shows in many
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:fans' cases prematurely, but they're
doing that to generate new material
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:and new quality so that you don't get
bogged down in what is old content
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:or you know, continuing old series.
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:So they can bring new
things in all the time.
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:And I think that's the
challenge, isn't it?
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:Because.
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:How do you actually manage that so
that your platform doesn't get flooded
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:with average content and people having
discussions that are, yes, there's a
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:small community that are interested,
but largely if there becomes lots of
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:small communities talking about things
that are, don't have much quality about
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:them, then that's where the problem is,
is actually finding the quality stuff.
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:Omer Luzzatti: Yeah.
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:So maybe I will talk about how
we are thinking about moderation
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:in general and for communities.
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:So obviously legally there are
several things that must be allowed
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:or disallowed on any platform.
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:Right?
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:But these, and I'm talking especially
about the United States, these are
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:very, very clear and very, very narrow.
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:I mean, the freedom of speech
obviously is one of the amendment
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:and, and is a big thing.
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:And there are only four things
that actually you cannot.
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:Talk about from legal perspective,
obviously things like, uh, weapons
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:selling, weapons direct attacks, and
threats to a specifically individual.
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:So these are very, very specific
and we must obviously obey the law.
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:Then What we are building is basically
for every community to enable their
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:own gon in their own language.
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:By providing them with the
ability also to change things.
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:I'll give you an example.
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:If we as a platform decide that some
words are something that we don't want
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:to have on the platform, right, and we
can come with these words or whatever
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:we the intent of these words as well.
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:But then if you take hip-hop community.
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:That he's talking about
hiphop lyrics, right?
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:They can definitely come and alter
and change these global rules of
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:the platform in order to adapt it to
their own community, which is more
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:tolerant obviously for some language.
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:Then for even for every event, you
can decide that now I want within
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:that event to allow or to disallow
certain jargon or certain language.
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:So we do, because we think
about building for communities.
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:We know that some communities
have different tolerance and
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:wanna talk about certain things,
obviously, according to the law.
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:So that is one thing that is completely
different than any other platform today.
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:The other element, which is very much
also close to it, is what can you
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:do when people are saying something
that is not according to your laws or
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:according to your community rules, right?
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:And even there will allowing much more
to the hosts and to the community owners.
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:So I'll give you the example
where it all started.
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:Matt Sorum is also one of
the founders of Gig Averse.
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:He was a drum of, uh, guns and Roses.
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:He did an event with these fans and the
event was about a record that was sold
143
:that wasn't guns and Roses, and he didn't
want questions about guns and roses.
144
:Okay.
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:So obviously for us it's very, very
easy to comment and to say every
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:time that someone is writing guns
and roses, delete the question.
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:Right?
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:And that's what most platforms, if not
all of them, will do in, in such a case.
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:But what if someone is asking
about Axel Rose, right?
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:Or someone is coming and asking,
oh, in, in:
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:why didn't you do this or that?
152
:Right?
153
:So we need to understand the intent and
the AI can understand the intent that
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:Axel Rose was part of Guns and Roses.
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:So if no questions about guns and roses,
then no question about about Axel Rose.
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:Jemma Green: Well sweet child of mine.
157
:Omer Luzzatti: So, oh, and we
have a name drop of Axel Rose.
158
:You can see and read more and
is vocalists and co-founder.
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:So we can understand the intent, but
now it's even the second order question.
160
:Okay, so what are we going to do
about someone asking about Axel host?
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:And here we allow the
hosts to make decisions.
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:In some cases it may be delete
the question, in some other cases,
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:completely ban the individual from
the discussion, kick them out.
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:Or FDAI answer the question
if the question was something
165
:that the AI can answer.
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:Okay.
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:I won't be bothered, but I don't care
that people will an, that the AI will
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:answer the question about, so that's the
way that we're approaching moderation
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:in a completely different way than what
is available today on other clients.
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:Jemma Green: I mean, there's so many
new things here that people wouldn't
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:even know about until they kind of
experience it for the first time.
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:So once they're in the tent, they can.
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:See all of the different toys and
get really excited and use them.
174
:But before that, what would you say
is like the biggest sort of challenge
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:to adoption of this new experience?
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:Omer Luzzatti: Yeah.
177
:No, it's a fantastic question
because Abby here, by the way, is
178
:head of product and also his role
to make it simple and to have people
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:work with, we are builders, right?
180
:We come with ideas and we
build them, but then we need
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:to obviously sell them, right?
182
:And to have people exposed to it.
183
:You wouldn't even know about name drop
without something happen here, right?
184
:So all that you can trigger a poll, right?
185
:So there is a question of the, the
product itself and how to make it visible.
186
:And then there is a question
of how do we market it?
187
:How do we package it, and how
do we let people know about it?
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:I don't have a very, very good
answer here, but we are walking our
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:way to, you know, to move forward
is basically to walk with partners
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:that are much closer, the creators.
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:So in that essence, it's a
little bit like a B two, B2C.
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:Mm-hmm.
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:And they are also a, the one that
are giving us feedback about the
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:solution and what they wanna see.
195
:For example, ticketing is, must have for
them to bring the podcasters on board.
196
:So Pantheon podcasters are one partner.
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:They are the biggest music
podcasters network in the
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:world, or at least in the us.
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:Metallica is their band that I
mentioned before, and they introduce
200
:us to additional podcast networks.
201
:The other one is still one
entertainment in the Philippines.
202
:They mentioned before they
have 400 million end users.
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:It's a creator house.
204
:We're
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:Jemma Green: sitting on the
fence with that response, Omar.
206
:Omer Luzzatti: Yeah, but the, the names
that are mentioned on Spotify Apple
207
:Podcast, obviously this is different.
208
:What Pantheon is doing is basically
increasing the revenue for their
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:podcasters by bringing relevant ads.
210
:And obviously the podcast itself
is on Spotify and all this.
211
:So at Tier One Entertainment, they have
many creators and I mentioned before.
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:Political figures, gamers, chefs, right?
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:Young people that are just going the
streets and at them telling the fans
214
:that they're going from point A to
point B in Manila and they have hundred
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:thousands of people watching them walking.
216
:So with them, we are engaged now
in the next four to six months
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:to try out multiple use cases
and each use case some other.
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:Features actually would
shine fact checking.
219
:I don't think it's very relevant
for people walking the street,
220
:but for obviously political
discussions is very relevant.
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:Jemma Green: Got it.
222
:And it sounds like, you know, because
there are so many different sort of
223
:segments, the approach that you're
taking, I mean, you just said B two,
224
:B2C, but the within that, the way
that you are going about getting
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:customers is quite different.
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:Omer Luzzatti: Yeah, we made the
decision to focus on podcast and podcast
227
:live, and we did several research
demonstrating the appetite to A, to
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:go live, B, to create a community
around them and C, to monetize better.
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:So I remember correctly something like
72% and then we segmented it into values.
230
:Uh, parts sport is very,
very big for this, right?
231
:And indeed we have creator, she's
very close to the UFC women fights.
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:So we are going to have something
with the UFC and and over there.
233
:For example, the after the fight,
it's to open giga verse and to have
234
:fans coming and asking questions,
paying for $5 to ask a question
235
:and to be answered by the fighter.
236
:But then especially because of K one and
because of we see other opportunities,
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:we're opening it more now to additional
type of creators, not only podcasters.
238
:Also communities more and more to
shine also that part of the community.
239
:So I think to answer your question
maybe more kind of philosophically
240
:we're to focus and when to
open right is a big question.
241
:I think that we, and, and there
are several approaches here.
242
:We are finding now via these different.
243
:Verticals, let's call them.
244
:This way, we are finding what is actually
working, what is more relevant, what
245
:is less relevant, and then basically
also with tier one, their approach
246
:is then to create a playbook that you
can replicate more and more and more
247
:with, with additional creator of type.
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:So that is while obviously
building the solution and making
249
:it simple for people to involve.
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:Anthony Perl: Again, it's quite
interesting because it's kind of not
251
:dissimilar to the TV landscape where
they partner with production houses that
252
:deliver bunches of content, you know,
as well, and a variety of that sort of
253
:content and, and controlling it that way.
254
:So it's an inter, it's interesting that
the model is not dissimilar to what's
255
:working in mainstream, but taking
it to a, a level that's much more
256
:accessible than, you know, paying for
a TV show through a production house.
257
:Omer Luzzatti: And you got to spot
on, and Jacob has a questionnaire.
258
:So unlike, I don't know, Gemma, if
you are a host, Anton is definitely
259
:a host because he started it.
260
:So he has another tab with insights
and he can see the the questions.
261
:So Jacob is asking, can Gabe,
with existing discoveries broken?
262
:Jemma Green: So how do you think
about solving the Cold Start
263
:problem for emerging creators
that don't have an audience yet?
264
:Or does gig averse assume they'll
come in already with an audience?
265
:Omer Luzzatti: So we are not
trying currently to solve the
266
:discovery within the platform.
267
:What we enable them though, Jacob,
is to utilize the all the other
268
:platforms that are there in order to
engage with their existing audience.
269
:So if you have a YouTube live, and many of
them do YouTube live, Instagram, Twitch.
270
:A LinkedIn, right?
271
:You can stream this on these
platforms and have the people
272
:seeing it the moment that they want.
273
:They wanna ask a question the
moment that they wanna be on stage,
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:then they will come to Giger.
275
:So we see it currently not as a solution
that the podcasters that have, let's
276
:say, thousands of people watching them.
277
:We'll move all the thousands here.
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:We see it more kind of the salon or
the intimate environment that the
279
:hundred, 200, 300 fans will come
and then will spread the moment that
280
:we will have more communities, the
moment that we will have more content.
281
:Currently, we have something
like 400 communities.
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:And around I can, I can immediately
check, but I think something like 5,000
283
:users at the moment, that we will have
content and the ability to incentivize
284
:people to come, oh, now this is happening.
285
:Now that is happening.
286
:To blend things together and then we'll
need a real good discovery mechanism.
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:That's again, going back to
the balance between to have.
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:A serious platform that you come because
you wanna hear a discussion or because
289
:you wanna see your chef or cook with
your chef, versus a place that you scroll
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:and jump from one event to another.
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:A good discovery with a good algorithm
for discovery is essential for Instagram,
292
:TikTok, obviously, and Twitter because
they wanna promote to you content that
293
:will keep you engaged and keep you more.
294
:On the platform, we are trying something
that is slightly different, which is
295
:we want you to stay here because we'll
make you engage in this discussion
296
:by asking more polls, by the fact
that you know that if you ask a good
297
:question, just like the one that
you did, you'll now get two points.
298
:And with these two points you can
buy an NFT or you can cash out.
299
:So that's the gamification of
communities that we expect.
300
:We are trying to have that one, the
engagement engine and not the scrolling
301
:from one to community to another.
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:Anthony Perl: Can I just ask a question
because I think I'm very cognizant of
303
:the fact that where here we are in the
giga verse and we're doing this live at
304
:the moment, but there'll also be plenty
of people that will be listening to this
305
:as an audio based podcast in the future.
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:So maybe you wanna take people through
a little bit about some of the features
307
:that are actually in the giga verse,
but also interested in what's coming.
308
:Omer Luzzatti: Sure.
309
:So currently we have a
platform for many, too many.
310
:As you can see, we built it in such a way
that there is audience, and then the hosts
311
:and people that are talking and asking.
312
:Obviously, there is a chat.
313
:There is, as I demonstrated
before, you can create polls.
314
:You can moderate the discussion.
315
:You can have fact check and to enhance the
discussion and other elements like that.
316
:In addition, immediately after this
is done, we are creating the recording
317
:of this, of it, if you're recording
it, and then highlights and various
318
:clips that you can immediately
share with your audience, right?
319
:Mostly on the platform like
Instagram and others, including
320
:the summary of the discussion.
321
:The transcript is here.
322
:The transcript mentions who is saying
what, which is also something that is.
323
:You know, kind of, you can have it
in multiple languages, obviously,
324
:and we understand multiple languages.
325
:And the voice activation
is also languages.
326
:The community page is a page that
you land when or when you wanna
327
:see the recording or when you
want to chat with your community.
328
:And this is something, for example, on
Zoom that doesn't really exist, right?
329
:On Zoom.
330
:There is no community and thus is
no discussion post live, pre-live.
331
:We are now building the post live
and pre-live to become much more
332
:engaging as well, so that the hosts,
for example, Gemma, in this particular
333
:case before the podcast, the community
knowing that now she's going to host.
334
:Someone can ask questions
before and after.
335
:They can watch it together.
336
:They can watch the podcast.
337
:So elements to tie the live into
the community in better way.
338
:In terms of motivation, we are
adding the video layer now.
339
:The video layer understands the
video first in order to moderate.
340
:So for example, you have on your back
right being the voice brilliance, but,
341
:but if you had something offensive,
then we could also understand that and
342
:we know that it's something that is
happening, especially in discussions.
343
:So something offensive and
then we'll have the alert.
344
:Oh, although Anthony is great.
345
:There is something offensive in that
video, in addition to many, many other
346
:elements that are much more relevant to
gardening together, cooking together,
347
:where the visual elements is much more
dominant than just the talking heads.
348
:Monetization is the biggest
one that we're adding and that
349
:we are planning what to add.
350
:Obviously we need to think
how to build it, how to build
351
:this reward and point system.
352
:Uh, we're in discussion with
some platform that un know.
353
:We spoke to Lynn several times.
354
:The crypto experts that are around
us, as you know, we have extensive
355
:lists there, so we are thinking
how to build an organization and
356
:points system that is suitable for
us and makes sense for communities.
357
:It needs to be very, very simple because
creators don't really understand it yet.
358
:So I would say that I put
first monetization then.
359
:Making the community
elements much more alive.
360
:The AI can bring content.
361
:I said many things we spoke.
362
:Now the AI afterwards can not only
summarize the discussion, but search
363
:the web tomorrow and come with, oh, the
competitors of giga verse are right and to
364
:make and to open the room automatically.
365
:We are thinking what makes the community
community right and there is some cadence.
366
:So every week at 8:00 AM on Wednesday,
the room will open automatically.
367
:People get notified and people can join.
368
:Many ways to help community
activators to build a community
369
:that is not only about the live
element, but also about the as sink.
370
:Jemma Green: Awesome.
371
:You mentioned about paying for podcasts,
like entry, most podcasts are free.
372
:Do you see that as like a
point of friction or because
373
:they get to interact with.
374
:The creators or the thing the
people they're fans of, then
375
:that makes it a bit more nuanced.
376
:Omer Luzzatti: The podcast industry
is, on one hand, it's growing.
377
:On the other hand, podcasters typically
use it as a second hobby, right?
378
:And not as something to make money
when they try to make money off it.
379
:It's extremely challenging and it's
very, very, very small amounts.
380
:So yes, many of them, and I would call the
me podcaster, but the one that are running
381
:more than, you know, 30 shows already.
382
:And know how demanding it is to
find podcast, to find people to
383
:talk to, and then to monetize it.
384
:Yes.
385
:They definitely are Thinking about
ways to monetize and ticketing
386
:is one of the first ones.
387
:The ad-based solutions for podcasters is
also very, very limited, and obviously
388
:the platforms are taking a huge cut of it.
389
:Jemma Green: Yeah.
390
:Anthony Perl: What's fascinating
about podcasting content is that
391
:most podcasters forget about the
content that they've already created.
392
:I think that's where the interesting
opportunities are as well, because it's
393
:cross-referencing and, and using the
AI to bring back some of that content
394
:that's already been created and might
have happened some time ago, but to
395
:bring that back to people, which is what
doesn't really happen on Spotify and
396
:Apple and those platforms to an extent
happens on YouTube because of search.
397
:Omer Luzzatti: It's a very good point,
and we need to think exactly how
398
:to make that part of the community
live and part of the podcast live.
399
:By the way, the clock on the right will
bring you all the soundbites and the
400
:fact check, but there was an interesting
one with Castor that suggesting the
401
:small audiences can earn between
zero to hundred per episode dollars.
402
:There are value ways for
broadcaster to earn money.
403
:Sponsorship advertisement
mentioned by this and that.
404
:So if you wanna dive into the way the
podcasters, basically the fact check,
405
:what we're doing is form analyzing
the statement or the question.
406
:We are taking multiple
questions out of it.
407
:We are searching the web, so I can ask
now about stock market and obviously
408
:I have maybe response and then we are
getting something like 30,000 pages.
409
:Summarizing them into
this read more element.
410
:So if you wanna talk about stocks
though, you know, Bitcoin is up 5% today.
411
:Let's fact check it.
412
:I have no idea if it's true or not.
413
:Probably not.
414
:Uh, the last 24 hours
415
:Jemma Green: down 1.7%.
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:Omer Luzzatti: Yeah.
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:Okay.
418
:So you can see how you can utilize it.
419
:Jemma Green: Yeah.
420
:Oma, I'm gonna just summarize
this conversation in a moment.
421
:Just before I do, could you tell us
your favorite song at the moment?
422
:Omer Luzzatti: Favorite song?
423
:The only thing that comes to my mind,
because I was walking the dogs earlier
424
:and found myself, uh, repeating it.
425
:It's not really a song.
426
:It's my son, my eight years
old is learning piano and is
427
:actually very much into it.
428
:So yesterday evening he was repeating
some swing jazz piece they don't
429
:even know, you know, from, uh,
his only kind of second year.
430
:That stuck into my head and
it was like going, and I said,
431
:whoa, where these tune come from?
432
:And yesterday was for
30 minutes playing it.
433
:So I, I got stuck with that.
434
:Jemma Green: Amazing.
435
:Well that sounds better than some of the
kids' songs to get stuck in your head.
436
:Omer Luzzatti: Yeah, exactly.
437
:Jemma Green: Oma, I've really enjoyed
the conversation with you today.
438
:I didn't know a great deal about the
video industry and podcasting and AI
439
:in this context, and it's been great
to use Giga verse and experience
440
:all the different elements here
that we've had in this conversation.
441
:And I found it really interesting to
hear how one of the skills that you've
442
:had to fall upon as an entrepreneur
is when to focus and when to be broad.
443
:You know that discernment skill is
really important to create a growing and
444
:successful business, and I just wanted to
congratulate you on the progress you've
445
:made so far with gig averse, with the
amount of users, and I'm looking forward
446
:to using your platform again, and thank
you so much for coming on unblocked.
447
:Omer Luzzatti: Thank you, Gemma.
448
:Thank you, Anthony.
449
:It was pleasure.
450
:Anthony Perl: That's all for
this episode of Unblocked.
451
:Please check out the show notes
for information on Power Ledger.
452
:Other contact information.
453
:We welcome your comments and
feedback and please hit subscribe
454
:wherever you are listening.
455
:This podcast was produced
by podcast Done for You.
456
:We look forward to your
company next time on Unblocked.