Episode 20

Web3 Integration and Creator Economy Revolution: Omer Luzzatti on Gigaverse's Blockchain Vision (Part 2)

In this episode, Dr. Jemma Green continues her conversation with Omer Luzzatti exploring how Gigaverse's Web3 integration could revolutionize creator economies through blockchain technology.

Episode Highlights:

  • Omer explains how Gigaverse is implementing token economies and monetization for creators
  • Discussion of Gigaverse's partnership with Music City San Francisco for reality show-style content
  • How Gigaverse's approach to content moderation adapts to different community standards
  • The challenges of quality content discovery and Gigaverse's unique engagement-focused solution
  • Overview of Gigaverse's current features including polls, fact-checking, and AI-powered tools
  • Future plans for monetization and community building features
  • Discussion on the challenges of podcast monetization and how Gigaverse addresses them
  • Using AI to resurface valuable content from podcast archives

Discover how Gigaverse's platform enables creators to:

  • Build sustainable revenue streams beyond traditional advertising models
  • Create token-based reward systems that incentivize quality community participation
  • Leverage AI for real-time fact-checking and content moderation
  • Develop secondary markets that amplify creative value

Get in touch:

Gigaverse

Omer Luzzatti on LinkedIn


UnBlock'd podcast with Dr. Jemma Green

For more information on Dr. Jemma Green

Visit: https://www.powerledger.io/

Or connect on LinkedIn: https://www.linkedin.com/in/jemmagreen/


-------------------------------------------------------------

Produced by: Podcasts Done For You


Transcript
Anthony Perl:

Web3 Integration and the Creator Economy Revolution.

2

:

Oma LA on Giga versus

Blockchain Vision part two.

3

:

In this episode, Dr.

4

:

Gemma Green continues her conversation

with Oma Lati exploring how Giga

5

:

versus Web3 integration could

revolutionize creator economies

6

:

through blockchain technology, they

dive deeper into why community token

7

:

economies are essential for the

future of creator audience engagement.

8

:

How secondary markets could amplify

creative value beyond traditional

9

:

platforms and giga versus innovative

approach to content moderation that

10

:

adapts to different community standards,

along with their exciting partnerships,

11

:

including Music City San Francisco, for

their reality show style integration,

12

:

and major music podcast networks.

13

:

They discuss how they're solving

real world challenges like

14

:

quality content discovery and

community specific moderation.

15

:

I'm your co-host Anthony Pearl,

and whether you're an investor or

16

:

a startup looking for insights,

it's time to get unblocked

17

:

as we get ready to pick

up the conversation.

18

:

Here's a quick recap from last episode

19

:

Jemma Green: communities that

you're targeting to use Gigawatt

20

:

er in Web3 and Blockchain.

21

:

But my question related to that was

do you have any Web3 or blockchains

22

:

elements to the Giga verse product?

23

:

Are you talking about

tokens in the blockchain?

24

:

Sense of the word.

25

:

Omer Luzzatti: So we haven't

targeted crypto communities per se.

26

:

Now, when we are thinking about,

back to your questions about the

27

:

Web3, the first thing that creators,

the one that we are working with

28

:

is asking us is ticketed events.

29

:

So basically, I want people come

to my podcast to pay $1, $2, $10.

30

:

But the way that we are thinking about it

in terms of the engagement, in terms of.

31

:

Monetizing within the community

is these elements of points,

32

:

rewards and things like that.

33

:

That's one of the thoughts of

that we have, obviously for crypto

34

:

communities, it's pretty obvious for

creators and other type of communities.

35

:

This is a little bit more challenging

now to think that forward ahead.

36

:

Anthony Perl: You know what's fascinating

about everything that you were just

37

:

saying is it kind of replicates what is

happening in the Freeto Air TV market.

38

:

If you look at, you know, a reality TV

program is a good example where there's.

39

:

An element of quality content or debatable

equality, but content that's being

40

:

created and what actually happens after

that is there are often people that

41

:

are separate shows, which are talking

about the main show as well as podcasts

42

:

and other things that are happening.

43

:

So what you're essentially trying

to do is to replicate that, but in

44

:

this kind of an environment that

enables you to monetize that process

45

:

so that people will actually benefit.

46

:

From that ongoing discussion and

that's, is that kind of the way of also

47

:

making sure that you've got quality?

48

:

Because that was one of the things I

think that has gone wrong with a lot

49

:

of the other platforms is there's been

no way of really measuring quality.

50

:

There's been so much rubbish out

there that that's what just saturated

51

:

it and people just disappeared.

52

:

Omer Luzzatti: Yeah, so Abby just

mentioned me and said that I can

53

:

talk about Music City, San Francisco.

54

:

So Music City, San Francisco.

55

:

Is that exactly what they

wanna do with our platform?

56

:

It's basically a reality show.

57

:

What is Music City?

58

:

San Francisco is a new building

actually in San Francisco that is

59

:

the bottom three floors, podcast room

and the karaoke room and a big arena

60

:

and for events and for concerts.

61

:

And then they have a hotel on top.

62

:

It's basically to bring rock stars

back to the city and to create a place

63

:

for them to, for young bands to live.

64

:

So we are partnering and they want to

do a reality show exactly like that.

65

:

Showing, you know, the band and

then showing the room and then

66

:

showing the fans and then, okay,

so all that, that is part of it.

67

:

But you were catching the other point,

which is then to have the community.

68

:

Discussing it, leaving it, and

it's true for almost every content.

69

:

Netflix movies, from Netflix movies

to sports are obviously watching

70

:

together, sport events and then

talking about it within the fans.

71

:

So yes.

72

:

Now in terms of your second

comment about the quality.

73

:

I definitely want, and you know,

Abby knows it 'cause that's something

74

:

that I'm trying always to push for.

75

:

But then I'm aware that it's

also something that we need to

76

:

be aware not to push too far for,

is to have quality discussions.

77

:

Now, how can we, with AI create

quality discussions other than, you

78

:

know, adding information, et cetera.

79

:

And we can build a prototype for it.

80

:

We can call out when people are

making policies like Ed Homi, right?

81

:

Instead of talking about your

argument, I'm talking about you.

82

:

Instead of, I'm creating a

strong man argument, right?

83

:

I am inventing something that no one

actually said, and, and I'm attacking that

84

:

figure instead of talking to the point.

85

:

So all these things, so things that

would be AI that now is listening

86

:

and understands everything that we're

saying, we can analyze the discussion

87

:

and move it maybe to a better place,

but I'm also aware that that focus

88

:

might be a little bit too narrow.

89

:

I'm aware that people sometimes

want to just talk, right?

90

:

Anthony Perl: Well, quality's a

big battle on any media platform.

91

:

And you look at Netflix, which gets

criticized for ending shows in many

92

:

fans' cases prematurely, but they're

doing that to generate new material

93

:

and new quality so that you don't get

bogged down in what is old content

94

:

or you know, continuing old series.

95

:

So they can bring new

things in all the time.

96

:

And I think that's the

challenge, isn't it?

97

:

Because.

98

:

How do you actually manage that so

that your platform doesn't get flooded

99

:

with average content and people having

discussions that are, yes, there's a

100

:

small community that are interested,

but largely if there becomes lots of

101

:

small communities talking about things

that are, don't have much quality about

102

:

them, then that's where the problem is,

is actually finding the quality stuff.

103

:

Omer Luzzatti: Yeah.

104

:

So maybe I will talk about how

we are thinking about moderation

105

:

in general and for communities.

106

:

So obviously legally there are

several things that must be allowed

107

:

or disallowed on any platform.

108

:

Right?

109

:

But these, and I'm talking especially

about the United States, these are

110

:

very, very clear and very, very narrow.

111

:

I mean, the freedom of speech

obviously is one of the amendment

112

:

and, and is a big thing.

113

:

And there are only four things

that actually you cannot.

114

:

Talk about from legal perspective,

obviously things like, uh, weapons

115

:

selling, weapons direct attacks, and

threats to a specifically individual.

116

:

So these are very, very specific

and we must obviously obey the law.

117

:

Then What we are building is basically

for every community to enable their

118

:

own gon in their own language.

119

:

By providing them with the

ability also to change things.

120

:

I'll give you an example.

121

:

If we as a platform decide that some

words are something that we don't want

122

:

to have on the platform, right, and we

can come with these words or whatever

123

:

we the intent of these words as well.

124

:

But then if you take hip-hop community.

125

:

That he's talking about

hiphop lyrics, right?

126

:

They can definitely come and alter

and change these global rules of

127

:

the platform in order to adapt it to

their own community, which is more

128

:

tolerant obviously for some language.

129

:

Then for even for every event, you

can decide that now I want within

130

:

that event to allow or to disallow

certain jargon or certain language.

131

:

So we do, because we think

about building for communities.

132

:

We know that some communities

have different tolerance and

133

:

wanna talk about certain things,

obviously, according to the law.

134

:

So that is one thing that is completely

different than any other platform today.

135

:

The other element, which is very much

also close to it, is what can you

136

:

do when people are saying something

that is not according to your laws or

137

:

according to your community rules, right?

138

:

And even there will allowing much more

to the hosts and to the community owners.

139

:

So I'll give you the example

where it all started.

140

:

Matt Sorum is also one of

the founders of Gig Averse.

141

:

He was a drum of, uh, guns and Roses.

142

:

He did an event with these fans and the

event was about a record that was sold

143

:

that wasn't guns and Roses, and he didn't

want questions about guns and roses.

144

:

Okay.

145

:

So obviously for us it's very, very

easy to comment and to say every

146

:

time that someone is writing guns

and roses, delete the question.

147

:

Right?

148

:

And that's what most platforms, if not

all of them, will do in, in such a case.

149

:

But what if someone is asking

about Axel Rose, right?

150

:

Or someone is coming and asking,

oh, in, in:

151

:

why didn't you do this or that?

152

:

Right?

153

:

So we need to understand the intent and

the AI can understand the intent that

154

:

Axel Rose was part of Guns and Roses.

155

:

So if no questions about guns and roses,

then no question about about Axel Rose.

156

:

Jemma Green: Well sweet child of mine.

157

:

Omer Luzzatti: So, oh, and we

have a name drop of Axel Rose.

158

:

You can see and read more and

is vocalists and co-founder.

159

:

So we can understand the intent, but

now it's even the second order question.

160

:

Okay, so what are we going to do

about someone asking about Axel host?

161

:

And here we allow the

hosts to make decisions.

162

:

In some cases it may be delete

the question, in some other cases,

163

:

completely ban the individual from

the discussion, kick them out.

164

:

Or FDAI answer the question

if the question was something

165

:

that the AI can answer.

166

:

Okay.

167

:

I won't be bothered, but I don't care

that people will an, that the AI will

168

:

answer the question about, so that's the

way that we're approaching moderation

169

:

in a completely different way than what

is available today on other clients.

170

:

Jemma Green: I mean, there's so many

new things here that people wouldn't

171

:

even know about until they kind of

experience it for the first time.

172

:

So once they're in the tent, they can.

173

:

See all of the different toys and

get really excited and use them.

174

:

But before that, what would you say

is like the biggest sort of challenge

175

:

to adoption of this new experience?

176

:

Omer Luzzatti: Yeah.

177

:

No, it's a fantastic question

because Abby here, by the way, is

178

:

head of product and also his role

to make it simple and to have people

179

:

work with, we are builders, right?

180

:

We come with ideas and we

build them, but then we need

181

:

to obviously sell them, right?

182

:

And to have people exposed to it.

183

:

You wouldn't even know about name drop

without something happen here, right?

184

:

So all that you can trigger a poll, right?

185

:

So there is a question of the, the

product itself and how to make it visible.

186

:

And then there is a question

of how do we market it?

187

:

How do we package it, and how

do we let people know about it?

188

:

I don't have a very, very good

answer here, but we are walking our

189

:

way to, you know, to move forward

is basically to walk with partners

190

:

that are much closer, the creators.

191

:

So in that essence, it's a

little bit like a B two, B2C.

192

:

Mm-hmm.

193

:

And they are also a, the one that

are giving us feedback about the

194

:

solution and what they wanna see.

195

:

For example, ticketing is, must have for

them to bring the podcasters on board.

196

:

So Pantheon podcasters are one partner.

197

:

They are the biggest music

podcasters network in the

198

:

world, or at least in the us.

199

:

Metallica is their band that I

mentioned before, and they introduce

200

:

us to additional podcast networks.

201

:

The other one is still one

entertainment in the Philippines.

202

:

They mentioned before they

have 400 million end users.

203

:

It's a creator house.

204

:

We're

205

:

Jemma Green: sitting on the

fence with that response, Omar.

206

:

Omer Luzzatti: Yeah, but the, the names

that are mentioned on Spotify Apple

207

:

Podcast, obviously this is different.

208

:

What Pantheon is doing is basically

increasing the revenue for their

209

:

podcasters by bringing relevant ads.

210

:

And obviously the podcast itself

is on Spotify and all this.

211

:

So at Tier One Entertainment, they have

many creators and I mentioned before.

212

:

Political figures, gamers, chefs, right?

213

:

Young people that are just going the

streets and at them telling the fans

214

:

that they're going from point A to

point B in Manila and they have hundred

215

:

thousands of people watching them walking.

216

:

So with them, we are engaged now

in the next four to six months

217

:

to try out multiple use cases

and each use case some other.

218

:

Features actually would

shine fact checking.

219

:

I don't think it's very relevant

for people walking the street,

220

:

but for obviously political

discussions is very relevant.

221

:

Jemma Green: Got it.

222

:

And it sounds like, you know, because

there are so many different sort of

223

:

segments, the approach that you're

taking, I mean, you just said B two,

224

:

B2C, but the within that, the way

that you are going about getting

225

:

customers is quite different.

226

:

Omer Luzzatti: Yeah, we made the

decision to focus on podcast and podcast

227

:

live, and we did several research

demonstrating the appetite to A, to

228

:

go live, B, to create a community

around them and C, to monetize better.

229

:

So I remember correctly something like

72% and then we segmented it into values.

230

:

Uh, parts sport is very,

very big for this, right?

231

:

And indeed we have creator, she's

very close to the UFC women fights.

232

:

So we are going to have something

with the UFC and and over there.

233

:

For example, the after the fight,

it's to open giga verse and to have

234

:

fans coming and asking questions,

paying for $5 to ask a question

235

:

and to be answered by the fighter.

236

:

But then especially because of K one and

because of we see other opportunities,

237

:

we're opening it more now to additional

type of creators, not only podcasters.

238

:

Also communities more and more to

shine also that part of the community.

239

:

So I think to answer your question

maybe more kind of philosophically

240

:

we're to focus and when to

open right is a big question.

241

:

I think that we, and, and there

are several approaches here.

242

:

We are finding now via these different.

243

:

Verticals, let's call them.

244

:

This way, we are finding what is actually

working, what is more relevant, what

245

:

is less relevant, and then basically

also with tier one, their approach

246

:

is then to create a playbook that you

can replicate more and more and more

247

:

with, with additional creator of type.

248

:

So that is while obviously

building the solution and making

249

:

it simple for people to involve.

250

:

Anthony Perl: Again, it's quite

interesting because it's kind of not

251

:

dissimilar to the TV landscape where

they partner with production houses that

252

:

deliver bunches of content, you know,

as well, and a variety of that sort of

253

:

content and, and controlling it that way.

254

:

So it's an inter, it's interesting that

the model is not dissimilar to what's

255

:

working in mainstream, but taking

it to a, a level that's much more

256

:

accessible than, you know, paying for

a TV show through a production house.

257

:

Omer Luzzatti: And you got to spot

on, and Jacob has a questionnaire.

258

:

So unlike, I don't know, Gemma, if

you are a host, Anton is definitely

259

:

a host because he started it.

260

:

So he has another tab with insights

and he can see the the questions.

261

:

So Jacob is asking, can Gabe,

with existing discoveries broken?

262

:

Jemma Green: So how do you think

about solving the Cold Start

263

:

problem for emerging creators

that don't have an audience yet?

264

:

Or does gig averse assume they'll

come in already with an audience?

265

:

Omer Luzzatti: So we are not

trying currently to solve the

266

:

discovery within the platform.

267

:

What we enable them though, Jacob,

is to utilize the all the other

268

:

platforms that are there in order to

engage with their existing audience.

269

:

So if you have a YouTube live, and many of

them do YouTube live, Instagram, Twitch.

270

:

A LinkedIn, right?

271

:

You can stream this on these

platforms and have the people

272

:

seeing it the moment that they want.

273

:

They wanna ask a question the

moment that they wanna be on stage,

274

:

then they will come to Giger.

275

:

So we see it currently not as a solution

that the podcasters that have, let's

276

:

say, thousands of people watching them.

277

:

We'll move all the thousands here.

278

:

We see it more kind of the salon or

the intimate environment that the

279

:

hundred, 200, 300 fans will come

and then will spread the moment that

280

:

we will have more communities, the

moment that we will have more content.

281

:

Currently, we have something

like 400 communities.

282

:

And around I can, I can immediately

check, but I think something like 5,000

283

:

users at the moment, that we will have

content and the ability to incentivize

284

:

people to come, oh, now this is happening.

285

:

Now that is happening.

286

:

To blend things together and then we'll

need a real good discovery mechanism.

287

:

That's again, going back to

the balance between to have.

288

:

A serious platform that you come because

you wanna hear a discussion or because

289

:

you wanna see your chef or cook with

your chef, versus a place that you scroll

290

:

and jump from one event to another.

291

:

A good discovery with a good algorithm

for discovery is essential for Instagram,

292

:

TikTok, obviously, and Twitter because

they wanna promote to you content that

293

:

will keep you engaged and keep you more.

294

:

On the platform, we are trying something

that is slightly different, which is

295

:

we want you to stay here because we'll

make you engage in this discussion

296

:

by asking more polls, by the fact

that you know that if you ask a good

297

:

question, just like the one that

you did, you'll now get two points.

298

:

And with these two points you can

buy an NFT or you can cash out.

299

:

So that's the gamification of

communities that we expect.

300

:

We are trying to have that one, the

engagement engine and not the scrolling

301

:

from one to community to another.

302

:

Anthony Perl: Can I just ask a question

because I think I'm very cognizant of

303

:

the fact that where here we are in the

giga verse and we're doing this live at

304

:

the moment, but there'll also be plenty

of people that will be listening to this

305

:

as an audio based podcast in the future.

306

:

So maybe you wanna take people through

a little bit about some of the features

307

:

that are actually in the giga verse,

but also interested in what's coming.

308

:

Omer Luzzatti: Sure.

309

:

So currently we have a

platform for many, too many.

310

:

As you can see, we built it in such a way

that there is audience, and then the hosts

311

:

and people that are talking and asking.

312

:

Obviously, there is a chat.

313

:

There is, as I demonstrated

before, you can create polls.

314

:

You can moderate the discussion.

315

:

You can have fact check and to enhance the

discussion and other elements like that.

316

:

In addition, immediately after this

is done, we are creating the recording

317

:

of this, of it, if you're recording

it, and then highlights and various

318

:

clips that you can immediately

share with your audience, right?

319

:

Mostly on the platform like

Instagram and others, including

320

:

the summary of the discussion.

321

:

The transcript is here.

322

:

The transcript mentions who is saying

what, which is also something that is.

323

:

You know, kind of, you can have it

in multiple languages, obviously,

324

:

and we understand multiple languages.

325

:

And the voice activation

is also languages.

326

:

The community page is a page that

you land when or when you wanna

327

:

see the recording or when you

want to chat with your community.

328

:

And this is something, for example, on

Zoom that doesn't really exist, right?

329

:

On Zoom.

330

:

There is no community and thus is

no discussion post live, pre-live.

331

:

We are now building the post live

and pre-live to become much more

332

:

engaging as well, so that the hosts,

for example, Gemma, in this particular

333

:

case before the podcast, the community

knowing that now she's going to host.

334

:

Someone can ask questions

before and after.

335

:

They can watch it together.

336

:

They can watch the podcast.

337

:

So elements to tie the live into

the community in better way.

338

:

In terms of motivation, we are

adding the video layer now.

339

:

The video layer understands the

video first in order to moderate.

340

:

So for example, you have on your back

right being the voice brilliance, but,

341

:

but if you had something offensive,

then we could also understand that and

342

:

we know that it's something that is

happening, especially in discussions.

343

:

So something offensive and

then we'll have the alert.

344

:

Oh, although Anthony is great.

345

:

There is something offensive in that

video, in addition to many, many other

346

:

elements that are much more relevant to

gardening together, cooking together,

347

:

where the visual elements is much more

dominant than just the talking heads.

348

:

Monetization is the biggest

one that we're adding and that

349

:

we are planning what to add.

350

:

Obviously we need to think

how to build it, how to build

351

:

this reward and point system.

352

:

Uh, we're in discussion with

some platform that un know.

353

:

We spoke to Lynn several times.

354

:

The crypto experts that are around

us, as you know, we have extensive

355

:

lists there, so we are thinking

how to build an organization and

356

:

points system that is suitable for

us and makes sense for communities.

357

:

It needs to be very, very simple because

creators don't really understand it yet.

358

:

So I would say that I put

first monetization then.

359

:

Making the community

elements much more alive.

360

:

The AI can bring content.

361

:

I said many things we spoke.

362

:

Now the AI afterwards can not only

summarize the discussion, but search

363

:

the web tomorrow and come with, oh, the

competitors of giga verse are right and to

364

:

make and to open the room automatically.

365

:

We are thinking what makes the community

community right and there is some cadence.

366

:

So every week at 8:00 AM on Wednesday,

the room will open automatically.

367

:

People get notified and people can join.

368

:

Many ways to help community

activators to build a community

369

:

that is not only about the live

element, but also about the as sink.

370

:

Jemma Green: Awesome.

371

:

You mentioned about paying for podcasts,

like entry, most podcasts are free.

372

:

Do you see that as like a

point of friction or because

373

:

they get to interact with.

374

:

The creators or the thing the

people they're fans of, then

375

:

that makes it a bit more nuanced.

376

:

Omer Luzzatti: The podcast industry

is, on one hand, it's growing.

377

:

On the other hand, podcasters typically

use it as a second hobby, right?

378

:

And not as something to make money

when they try to make money off it.

379

:

It's extremely challenging and it's

very, very, very small amounts.

380

:

So yes, many of them, and I would call the

me podcaster, but the one that are running

381

:

more than, you know, 30 shows already.

382

:

And know how demanding it is to

find podcast, to find people to

383

:

talk to, and then to monetize it.

384

:

Yes.

385

:

They definitely are Thinking about

ways to monetize and ticketing

386

:

is one of the first ones.

387

:

The ad-based solutions for podcasters is

also very, very limited, and obviously

388

:

the platforms are taking a huge cut of it.

389

:

Jemma Green: Yeah.

390

:

Anthony Perl: What's fascinating

about podcasting content is that

391

:

most podcasters forget about the

content that they've already created.

392

:

I think that's where the interesting

opportunities are as well, because it's

393

:

cross-referencing and, and using the

AI to bring back some of that content

394

:

that's already been created and might

have happened some time ago, but to

395

:

bring that back to people, which is what

doesn't really happen on Spotify and

396

:

Apple and those platforms to an extent

happens on YouTube because of search.

397

:

Omer Luzzatti: It's a very good point,

and we need to think exactly how

398

:

to make that part of the community

live and part of the podcast live.

399

:

By the way, the clock on the right will

bring you all the soundbites and the

400

:

fact check, but there was an interesting

one with Castor that suggesting the

401

:

small audiences can earn between

zero to hundred per episode dollars.

402

:

There are value ways for

broadcaster to earn money.

403

:

Sponsorship advertisement

mentioned by this and that.

404

:

So if you wanna dive into the way the

podcasters, basically the fact check,

405

:

what we're doing is form analyzing

the statement or the question.

406

:

We are taking multiple

questions out of it.

407

:

We are searching the web, so I can ask

now about stock market and obviously

408

:

I have maybe response and then we are

getting something like 30,000 pages.

409

:

Summarizing them into

this read more element.

410

:

So if you wanna talk about stocks

though, you know, Bitcoin is up 5% today.

411

:

Let's fact check it.

412

:

I have no idea if it's true or not.

413

:

Probably not.

414

:

Uh, the last 24 hours

415

:

Jemma Green: down 1.7%.

416

:

Omer Luzzatti: Yeah.

417

:

Okay.

418

:

So you can see how you can utilize it.

419

:

Jemma Green: Yeah.

420

:

Oma, I'm gonna just summarize

this conversation in a moment.

421

:

Just before I do, could you tell us

your favorite song at the moment?

422

:

Omer Luzzatti: Favorite song?

423

:

The only thing that comes to my mind,

because I was walking the dogs earlier

424

:

and found myself, uh, repeating it.

425

:

It's not really a song.

426

:

It's my son, my eight years

old is learning piano and is

427

:

actually very much into it.

428

:

So yesterday evening he was repeating

some swing jazz piece they don't

429

:

even know, you know, from, uh,

his only kind of second year.

430

:

That stuck into my head and

it was like going, and I said,

431

:

whoa, where these tune come from?

432

:

And yesterday was for

30 minutes playing it.

433

:

So I, I got stuck with that.

434

:

Jemma Green: Amazing.

435

:

Well that sounds better than some of the

kids' songs to get stuck in your head.

436

:

Omer Luzzatti: Yeah, exactly.

437

:

Jemma Green: Oma, I've really enjoyed

the conversation with you today.

438

:

I didn't know a great deal about the

video industry and podcasting and AI

439

:

in this context, and it's been great

to use Giga verse and experience

440

:

all the different elements here

that we've had in this conversation.

441

:

And I found it really interesting to

hear how one of the skills that you've

442

:

had to fall upon as an entrepreneur

is when to focus and when to be broad.

443

:

You know that discernment skill is

really important to create a growing and

444

:

successful business, and I just wanted to

congratulate you on the progress you've

445

:

made so far with gig averse, with the

amount of users, and I'm looking forward

446

:

to using your platform again, and thank

you so much for coming on unblocked.

447

:

Omer Luzzatti: Thank you, Gemma.

448

:

Thank you, Anthony.

449

:

It was pleasure.

450

:

Anthony Perl: That's all for

this episode of Unblocked.

451

:

Please check out the show notes

for information on Power Ledger.

452

:

Other contact information.

453

:

We welcome your comments and

feedback and please hit subscribe

454

:

wherever you are listening.

455

:

This podcast was produced

by podcast Done for You.

456

:

We look forward to your

company next time on Unblocked.

About the Podcast

Show artwork for Unblock'd
Unblock'd
Making sense of tech and money with Dr Jemma Green

Listen for free